Kenneth Mark Hoover’s supernatural western, HAXAN, just came out in June, and he kindly answered a few of my questions about the book, and more! Please give him a warm welcome!
Congrats on the release of HAXAN! Will you tell us a little about it and what inspired you to write it?
First of all, thank you for inviting me to the interview! I have always been a big fan of Old Time Radio. I began to listen to the old Gunsmoke radio episodes written by its creator, John Meston. He wanted to bring adult sensibilities to the western and leave mythology and Hollywood clichés behind.
It wasn’t long before I was hooked and knew I wanted to write a story about the Old West along the same lines, but leavened with dark fantasy. Not a lot. I didn’t want the fantasy to overwhelm the Old West itself. Nor did I want the West to be nothing more than a backdrop.
I had also been a fan of the Jonah Hex comics. So using this as a starting point I began to write “Haxan” the first short story in the series. That was the beginning.
Have you always wanted to be a writer? Will you tell us more about yourself and your background?
I knew I wanted to be a writer when I was 9 years old. I’ve never wanted to do anything else. When I started there wasn’t a lot of research material in bookstores or libraries so you had to learn the profession as you went. I was lucky. I had two really good mentors, Marian Poe and Harold King, who showed me the ropes.
I’ve done other things besides, writing, of course. I’ve been a surveyor, a salesman, an educator, and I’ve delivered pizzas in college. But more than anything else all I’ve ever wanted to do was write.
Echo Lake by Letitia Trent (Dark House Press, June 2014)-Emily Collins has been spending the last 5 years or so working to support herself and her musician husband, while he plays gigs and crashes at friends’ houses. When Emily discovers that he’s been cheating on her (probably for a while), instead of breaking down, she throws him out, and discovers newfound freedom. Perhaps it’s fate, then, when she gets a letter notifying her that her Aunt Frannie has died, and left her Heartshorne, Oklahoma house to Emily. It’s almost too easy for Emily to shed the remnants of her old life, and head to Heartshorne, the place that her mother had left so long ago, vowing never to go back.
When Emily finally arrives in Heartshorne, she finds that Frannie’s house is a little dilapidated and worn, but that’s ok, because it’s hers. Soon she is greeted by the local Reverend, Levi Richardson, and soon learns that Frannie was actually killed in the home. In spite of that, Emily feels a connection to Heartshorne, and after finding out a terrible secret about her mother’s childhood that she never shared, Emily decides to find out the truth. She starts digging, with the help of a new friend, Jonathan, whose talent with tarot serves to strengthen Emily’s resolve, and whose companionship Emily comes to cherish. When more people disappear and start turning up dead, Emily feels compelled to make things right.
The title refers to a man-made lake in Heartshorne that serves as a literal and metaphorical repository of secrets. It’s dark, and beautiful, and sometimes gives off a menacing fog, but it seems to draw evil like a moth to a flame. We’re given the strong sense that Echo Lake is the key to just about everything, but Trent reveals its influence in snippets, some of them horrifying, some of them simply creepy, and it’s her fantastic sense of time (both past and present) and place, with Echo Lake at the center, that really propels this chilling book forward. If you’re looking for a heavy-handed horror tale, drenched in the supernatural, you won’t find that here. What you’ll find is a subtly menacing tale of secrets, murder, and home-grown vengeance, with a sometimes surrealistic veneer. It’s also a coming of age novel; alongside Emily’s journey (yes, she’s an adult, but when she leaves her old life behind, she’s only really beginning her true adulthood), we get the story of her mother Connie’s loss of innocence as a young, brash, headstrong girl of only 13. As Emily digs into her mother’s past, it starts to become clearer to her as to what made her mother what she was as an adult (she has since died of cancer), and as a mother, and it’s an important part of Emily’s journey. I really enjoyed this story of self discovery wrapped in a slightly supernatural murder tale. Letitia Trent has a poet’s grasp of language (as she should, since she’s a published poet), and this works so well in this atmospheric, creepy gem. This is a good book, and I’m really looking forward to what comes next from this talented author.
I really, really liked AJ’s first book, THE COLONY, and am thrilled to have her back to talk about her new book, SEEDERS, which just came out this month! Please welcome her back to the blog!
I loved The Colony, so of course I can’t wait for Seeders! Will you tell us a little about it?
It’s another scary thriller based on actual science. This time I go into the secret world of plants, the relatively new and controversial field of plant neurobiology. The story is set on a cold, remote island where George Brookes, an elderly plant biologist has died a mysterious death and six of his heirs arrive for the reading of his will. One of the heirs, Jules Beecher, begins investigating the laboratory and scientific papers left by George, and comes to realize that his mentor may have achieved a monumental scientific breakthrough—communication between plants and humans.
It isn’t long before the island begins to have strange and violent effects on the group, especially Jules who becomes obsessed with George’s journal, the strange fungus growing on every plant and tree, and horrible secrets that lay buried in the woods. Soon he’s falling head-first into madness, but as a storm hits and the lights go out, the group realizes there’s something far more sinister lurking on the island.
I really like the setting of Seeders. I mean, what better way to set the tone than a secluded island! What kind of research did you do for the book?
I’d like to say I visited dozens of islands – but then, it would have been a tropical setting, like Hawaii! Actually I used Google Earth to find the geographical location. I wanted it to be cold and remote and close to New York, which meant Canada. Then I researched what it would be like in the spring, the types of plants and birds off Nova Scotia. I emailed back and forth with a survival expert, who told me how I can set up this house on the island with food, water, electricity. However, most of my research, which took months, was on plants and fungus and required reading a lot of journal articles and interviews with plant biologists and mycologists.
Tigerman by Nick Harkaway (Knopf, July 29th)-British Sergeant Lester Ferris has been sent to the (fictional) island of Mancreu to ostensibly keep the peace at the end of his career (after a rather disastrous tour in Afghanistan), as the island slowly gives way to waste and chemical abuses resulting in toxic gases that are affecting the wildlife and fauna . This “Mancreu Cauldron” will eventually destroy the island, not to mention leeching toxins out into the ocean into farther reaches, and its denizens have even succumbed to the toxic Discharge Clouds that have caused interesting, and sometimes dangerous, neurological problems. Leaving (that’s a capital L) parties have become the norm as citizens depart for brighter horizons, but there is still beauty to be found in the land, and in the people. For Lester, aside from an unrequited crush on a local scientist, he solves small cases and pals around with a young boy with a penchant for comics and a love of American pop culture. After a brutal shooting by five men in a local bar, resulting in the murder of a friend, Ferris is at loose ends, but is eager to get to the bottom of things, and enlists the boy to be his eyes and ears among the locals. The boy is ecstatic at his chance to be a crimefighter and takes to his new tasks with gusto. Soon, the boy and Lester embark on a mission to strike fear into the killers and what results is…kinda fantastic-comically, terrifyingly fantastic.
For all of his physical strength and considerable experience, Lester Ferris can come off as a bit hapless at times, but really, he’s anything but. He’s plopped on this doomed island, thinking he’ll wait out the inevitable by solving mundane, rather boring crimes and knocking around in Brighton House, but the crimes are anything but ordinary (one missing dog turns into a downright tragedy), and his connection to the boy that calls himself Robin (as an homage to Batman? his real name? ) is unexpected, and yet, as their relationship strengthens, he finds himself entertaining thoughts of taking the boy with him when the island burns, being a father figure to him, and is increasingly astounded at how much he’s come to love this funny, smart boy who talks like American film and hoards comics. With certain destruction looming, the populace grows restless, dangerously so, a gang of thugs has been terrorizing innocent people, and just what is going on with the menacing fleet of ships that gather in the harbor? Can Tigerman save the day?
This book, ya’ll. Tigerman is wrapped in a sort of old-school, boy’s pulp adventure package, but it’s actually a very timely book. There’s some pretty astute observation on how we treat our planet and what the fallout can be for us, the little folk, but there’s no preaching here, and the real meat of the book lies with Lester, who, in the beginning is just sort of existing, not happy or unhappy, but sort of lacking in purpose. It’s in the boy, and also the people of Mancreu, that he finds his purpose, and watching this transition, from slightly directionless, to full-on hero is a glory to behold. There are some phenomenal action scenes here, but for me, it was the quieter moments that made this book so good. The moment in which Tigerman is “born”, in the quiet stillness of a graveyard, is particularly perfect, and it gave me goosebumps (you’ll know it when you read it.)
Tigerman is about the birth of a hero, promises made and promises kept, finding meaning, the freedom we find when we take ourselves out of the everyday, and the fierceness, and heartbreak, of parental love. It definitely broke my heart, but good books have a habit of doing that, and Tigerman is so very, very good. Harkaway’s writing is gorgeous, and this unexpectedly funny, and sweet, and sad, and everything-in-between book will have you entranced. Tigerman is full of win, and roarsome, and wonderful. Don’t miss it.
Adam Nevill’s new book, THE HOUSE OF SMALL SHADOWS, just came out here in the US this week, and he was kind enough to answer a few of my questions about it, and more! Please welcome Adam to the blog!
I’m very excited that The House of Small Shadows is finally out in the US! I’ve read that the book was inspired in part by your childhood in England. Will you elaborate on that a bit?
Thank you for the anticipation. I’m hoping the range of imagery and folklore in the story will be relevant to North American readers too, as many of you share the same old world culture and history as us. Though the story isn’t autobiographical in term of characters or events, the novel catches a sense of what I found captivating, frightening and grotesque as a child in England, as a toddler and young boy, in the seventies. What I recall affecting me ranged from puppets in television shows and school visits, memories of dolls, museums, including a wax museum, and various trips to castles and so forth, a growing awareness of the past and of the alien. It was a time when I believed quite strongly in magic and the supernatural and observed little superstitions – I often used to smile at dolls to make sure they liked me. So I wanted to cross over into memory and imagination, and where they combine or become confused. I wanted to drill down to my own early strangeness.
I lived in the Midlands and went to university in Worcestershire, where I lived for three years, but Herefordshire is close by and a curious county; quite beautiful and Tolkienesque in the summer for me. It is the kind of place that suggests the presence of old magic, much as Wales does, which Herefordshire borders.
Hmmm…a mysterious house full of antique dolls and puppets…definitely a recipe for scares. Why do you think that dolls are such a source of the creeps for so many people?
When we are children I think they suggest a second and hidden life that occurs either someplace else, or when we are not looking at night. Their antics continue in places we are not privy to. And we invest our imaginations into them and pretend they live. As a child, who didn’t have the fear that dolls and puppets would get up and move at night? A terrifying but an enchanting proposition, particularly if the toys had access to powers beyond natural law.
I’ve been a fan of Jennifer Hillier’s since she debuted with CREEP in 2011 and now her third novel, THE BUTCHER, a standalone, is out! She stopped by to answer a few of my questions about the new book, and more, so please welcome her back!
Congrats on the new book! Will you tell us a little about The Butcher?
Thank you! This is my third book, and while I now have a good idea of what to expect with releasing a new title, it never gets any less exciting (or nerve-wracking, for that matter).
THE BUTCHER is my first standalone thriller, and it was a ridiculous amount of fun to write. It stars Edward Shank, the retired Chief of Police of Seattle, who hunted down the Beacon Hill Butcher back in 1985 and became the city’s hero. He’s now 80 and living in a retirement home… and he’s getting bored.
Edward’s grandson, Matt Shank, is an up-and-coming celebrity chef with a popular restaurant and a TV deal for his own cooking show. Matt discovers a horrible secret buried in his grandfather’s backyard, one that shatters everything he thinks he knows about his family.
Meanwhile, Matt’s girlfriend Sam, a true crime writer, is researching a new book based on the theory that the Butcher was never killed back in 1985. Little by little she inches closer to the truth, and when dead bodies begin showing up, she becomes even more convinced that Seattle PD got the wrong man all those years ago.
Oh what a tangled web we weave…
Why do you think readers will root for Matt and Sam?
I think Matt and Sam are an extremely realistic couple. They love each other, but they’re growing apart. The more successful Matt becomes, the less time he spends with her, and Sam’s caught up in her own career. They’re having a hard time putting each other first, and of course Matt’s secrets begin to affect their relationship even more. In my experience, relationships don’t often end because the couple stops loving each other. It’s everything else that gets in the way. I think most couples can relate to that.
If you’ve followed this blog for a while, it’s no particular secret that I think Ben H. Winters’s The Last Policeman trilogy is one of the best things going out there right now, in any genre. The final book in the series, WORLD OF TROUBLE, came out yesterday, and to celebrate, a few blogs are hosting guest posts and some giveaways, and sobbing in our cups that it’s over (maybe that’s just me, I dunno), but either way, if you haven’t discovered this amazing series, now’s the time, and you can be sure that what Winters has up his sleeve next will be just as great!
Also, to help you discover said series, I’ve got copies of THE LAST POLICEMAN and COUNTDOWN CITY to give away to one lucky winner. It would be the whole trilogy, but Quirk ran out of WORLD OF TROUBLE (see,that’s how awesome and in demand it is), but no matter, you’ll be well prepared to face that asteroid head on with the first two books!
Please welcome Ben back to the blog!
I was pretty resistant to psychoanalyzing Detective Palace while I was writing him. I was worried, selfishly, about sabotaging myself—to think about him too much would mess up my ability to write him. Plus, as ridiculous as it sounds, I guess I was also trying to be respectful to Palace, who would so much hate to be psychoanalyzed.
But people in the books are trying to figure him out all the time (“You’re like an alien, Palace. You know that? You’re like from another planet or something”), so maybe it’s time his author gave it shot.
Bottom line, the man is driven by loss. As we find out halfway through the first book, his childhood was marked by a devastating catastrophe. That makes him like a lot of characters: like David Copperfield, like Tom Ripley, like Bruce Wayne. (Naomi Eddes, at the Somerset Diner, actually compares him to Batman, which causes a bell to go off in Palace’s policeman’s heart).
Inevitably, those early setbacks defined him. He couldn’t protect the people who needed protecting, so he spends the rest of his life trying to protect other people—including, crucially, his little sister Nico. I suspect that if she hadn’t been around, if she hadn’t needed him to protect her, he might not have developed the constant anxious responsibility that is a big component of his sense of duty.
(I say all this like he’s a real person, who just presented himself to me. As if he was really created not by a devastating loss, but by me, and by my need for the appropriate hero for this particular story.)
So here’s this guy, he’s got this fire in him, this need to do the right thing—this fire that was kindled by incredible loss—and suddenly what happens to him, when he’s in his 20s? Asteroid! He’s suddenly abut to lose the whole world. Literally the whole world.
I am beyond thrilled to welcome James Lee Burke to the blog today! James is the author of the immensely popular Dave Robicheaux series as well as the Hackberry Holland series (and more), and, well, he’s a legend, so to celebrate the release of his new book, WAYFARING STRANGER today, we’ve got a giveaway to go along with the interview, courtesy of the immensely lovely people at Simon & Schuster!
I absolutely love the premise of Wayfaring Stranger and imagine there are legions of Bonnie and Clyde aficionados that will love it too. Why do you think their story is so fascinating and what made you want to write a book based on their legacy?
For me, the story of Bonnie and Clyde and their fellow traveler Raymond Hamilton has elements of redemption in it, particularly in the way that Hamilton faced his electrocution in Huntsville Penitentiary.
Think of it this way: I lived not too far from one a wealthy family whose great fortune came from one source: in the depths of the Depression, in the midst of the Dust Bowl, the head of the family, who was a district attorney, used his situation to buy huge amounts of Kansas wheat land at tax sales for fifty cents an acre. Who were the real criminals of that era?
Here are the books that I’m especially looking forward to in SFF for August (click on the covers to pre-order)! Note I took out the Top 10, because I never (ever) can keep it to just 10. August is an AMAZING month for SFF!
Synopsis-Sister murdered, best friend dead, married to the patron saint of death, Santa Muerte. Necromancer Eric Carter’s return to Los Angeles hasn’t gone well, and it’s about to get even worse.
His link to the Aztec death goddess is changing his powers, changing him, and he’s not sure how far it will go. He’s starting to question his own sanity, wonder if he’s losing his mind. No mean feat for a guy who talks to the dead on a regular basis.
While searching for a way to break Santa Muerte’s hold over him, Carter finds himself the target of a psychopath who can steal anyone’s form, powers, and memories. Identity theft is one thing, but this guy does it by killing his victims and wearing their skins like a suit. He can be anyone. He can be anywhere.
Now Carter has to change the game — go from hunted to hunter. All he has for help is a Skid Row bruja and a ghost who’s either his dead friend Alex or the manifestation of Carter’s own guilt-fueled psychotic break.
Everything is trying to kill him. Nothing is as it seems. If all his plans go perfectly, he might survive the week.
He’s hoping that’s a good thing.
Tomorrow and Tomorrow by Thomas Sweterlitsch (Putnam, July 10th, 2014)-Tomorrow and Tomorrow is an odd novel (this isn’t a bad thing), but if you like your murder mystery with an SF, future twist, with a very strong shot of noir, then you really can’t go wrong here. Tomorrow and Tomorrow takes place 10 years after a blast that decimated Pittsburgh, and just about everywhere you go, there are memorials of Pittsburgh survivors ranging from the glossy to the makeshift, gatherings of the dead in pen and ink or etched in stone. We’re in the mid to late-ish 2000s at this point, so there’s quite a bit of future tech on display, including the AdWare that people have wired directly into their brains, providing a constant stream of information, which, being a child of the 80s, I would find crazymaking, but in this narrative, it’s the norm. Retinal cameras, VR beyond your wildest imagination, you name it-it’s what makes up the basis of this book.
John Dominic Blaxton is a Pittsburgh survivor, out of town during the blast, a cruel twist of fate that left him unscathed and his pregnant wife dead. He hasn’t gotten over Theresa, and he’s obsessed with spending time with her in the Archive, a virtual reality reconstruction of Pittsburgh before the blast. Theresa is only a construct, but it’s all he has, and he’ll do anything to hold on to it. For now, he’s working for a firm that investigates deaths for insurance companies, and by using the Archive, they can glean facts about these cold cases, hopefully providing closure, or a payout, for the victims’ families. Dominic is good at his job, but he’s also an addict, and after a particularly bad round of the drug brown sugar, he’s forcibly detoxed and fired from his job. He also finds out that his psychiatric care has been transferred to another therapist, who goes by the name of Timothy, and as it happens, he has a job offer for Dominic. Waverly, a very rich, very powerful man wants Dominic to find his daughter , and ethereal beauty named Albion, for him. She was killed in the Pittsburgh blast, but she’s being systematically erased from the Archive and Waverly wants to know who’s behind it. Soon Dominic is immersed in the Archive, using everything in his arsenal to track down even a small trace of Albion, but as he searches, he starts to make other connections that lead him back to the murder of a woman named Hannah, the last case he worked for his former firm, that he never wrapped up. He’s also being warned off the search for Albion within the Archive, but why? VR and reality soon start to blur for Dominic as pressure mounts to find Albion and prevent a tragedy that might hit him very close to home. But soon, more people start dying by a sadistic killer’s hand, and it seems to all lead back to his investigation.